Samurai's End
Spire Life
Samurai's End
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HAHAHAHAHAHA
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sorry phil
sorry phil
sorry phil
sorry phil
sorry phil
sorry phil
sorry phil
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leseanthomas:

Goddammit, John Oliver delivering the heat again. And I thought this current, Burbank weather was no joke, lol!  
leseanthomas:

Goddammit, John Oliver delivering the heat again. And I thought this current, Burbank weather was no joke, lol!  
leseanthomas:

Goddammit, John Oliver delivering the heat again. And I thought this current, Burbank weather was no joke, lol!  
leseanthomas:

Goddammit, John Oliver delivering the heat again. And I thought this current, Burbank weather was no joke, lol!  
leseanthomas:

Goddammit, John Oliver delivering the heat again. And I thought this current, Burbank weather was no joke, lol!  
leseanthomas:

Goddammit, John Oliver delivering the heat again. And I thought this current, Burbank weather was no joke, lol!  
leseanthomas:

Goddammit, John Oliver delivering the heat again. And I thought this current, Burbank weather was no joke, lol!  
leseanthomas:

Goddammit, John Oliver delivering the heat again. And I thought this current, Burbank weather was no joke, lol!  
leseanthomas:

Goddammit, John Oliver delivering the heat again. And I thought this current, Burbank weather was no joke, lol!  
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leseanthomas:

NYC in the 1980s.Love.Memories.”After picking up a camera at the age of 15, Jamel Shabazz has been unknowingly become the first “visual documentarian” of hip hop. For over 30 years he’s captured the world around him. Every frame  of that world is a time portal that sparks emotion stemming from the scenes they represent. And if there is ever a glimpse into the foundations of street wear and its surrounding culture, it can be found in the pages of his first book.
“Back In The Days” is real deal documentation as it pertains to the origins of hip hop, not to mention hip hop fashion. No 2oK a day models. No makeup artists. No food trucks. The models in the book don’t need runways because they lived the life of style. Jamel Shabazz was there to capture it all.”Purchase here: http://www.jamelshabazz.com/monographs.html
leseanthomas:

NYC in the 1980s.Love.Memories.”After picking up a camera at the age of 15, Jamel Shabazz has been unknowingly become the first “visual documentarian” of hip hop. For over 30 years he’s captured the world around him. Every frame  of that world is a time portal that sparks emotion stemming from the scenes they represent. And if there is ever a glimpse into the foundations of street wear and its surrounding culture, it can be found in the pages of his first book.
“Back In The Days” is real deal documentation as it pertains to the origins of hip hop, not to mention hip hop fashion. No 2oK a day models. No makeup artists. No food trucks. The models in the book don’t need runways because they lived the life of style. Jamel Shabazz was there to capture it all.”Purchase here: http://www.jamelshabazz.com/monographs.html
leseanthomas:

NYC in the 1980s.Love.Memories.”After picking up a camera at the age of 15, Jamel Shabazz has been unknowingly become the first “visual documentarian” of hip hop. For over 30 years he’s captured the world around him. Every frame  of that world is a time portal that sparks emotion stemming from the scenes they represent. And if there is ever a glimpse into the foundations of street wear and its surrounding culture, it can be found in the pages of his first book.
“Back In The Days” is real deal documentation as it pertains to the origins of hip hop, not to mention hip hop fashion. No 2oK a day models. No makeup artists. No food trucks. The models in the book don’t need runways because they lived the life of style. Jamel Shabazz was there to capture it all.”Purchase here: http://www.jamelshabazz.com/monographs.html
leseanthomas:

NYC in the 1980s.Love.Memories.”After picking up a camera at the age of 15, Jamel Shabazz has been unknowingly become the first “visual documentarian” of hip hop. For over 30 years he’s captured the world around him. Every frame  of that world is a time portal that sparks emotion stemming from the scenes they represent. And if there is ever a glimpse into the foundations of street wear and its surrounding culture, it can be found in the pages of his first book.
“Back In The Days” is real deal documentation as it pertains to the origins of hip hop, not to mention hip hop fashion. No 2oK a day models. No makeup artists. No food trucks. The models in the book don’t need runways because they lived the life of style. Jamel Shabazz was there to capture it all.”Purchase here: http://www.jamelshabazz.com/monographs.html
leseanthomas:

NYC in the 1980s.Love.Memories.”After picking up a camera at the age of 15, Jamel Shabazz has been unknowingly become the first “visual documentarian” of hip hop. For over 30 years he’s captured the world around him. Every frame  of that world is a time portal that sparks emotion stemming from the scenes they represent. And if there is ever a glimpse into the foundations of street wear and its surrounding culture, it can be found in the pages of his first book.
“Back In The Days” is real deal documentation as it pertains to the origins of hip hop, not to mention hip hop fashion. No 2oK a day models. No makeup artists. No food trucks. The models in the book don’t need runways because they lived the life of style. Jamel Shabazz was there to capture it all.”Purchase here: http://www.jamelshabazz.com/monographs.html
leseanthomas:

NYC in the 1980s.Love.Memories.”After picking up a camera at the age of 15, Jamel Shabazz has been unknowingly become the first “visual documentarian” of hip hop. For over 30 years he’s captured the world around him. Every frame  of that world is a time portal that sparks emotion stemming from the scenes they represent. And if there is ever a glimpse into the foundations of street wear and its surrounding culture, it can be found in the pages of his first book.
“Back In The Days” is real deal documentation as it pertains to the origins of hip hop, not to mention hip hop fashion. No 2oK a day models. No makeup artists. No food trucks. The models in the book don’t need runways because they lived the life of style. Jamel Shabazz was there to capture it all.”Purchase here: http://www.jamelshabazz.com/monographs.html
leseanthomas:

NYC in the 1980s.Love.Memories.”After picking up a camera at the age of 15, Jamel Shabazz has been unknowingly become the first “visual documentarian” of hip hop. For over 30 years he’s captured the world around him. Every frame  of that world is a time portal that sparks emotion stemming from the scenes they represent. And if there is ever a glimpse into the foundations of street wear and its surrounding culture, it can be found in the pages of his first book.
“Back In The Days” is real deal documentation as it pertains to the origins of hip hop, not to mention hip hop fashion. No 2oK a day models. No makeup artists. No food trucks. The models in the book don’t need runways because they lived the life of style. Jamel Shabazz was there to capture it all.”Purchase here: http://www.jamelshabazz.com/monographs.html
leseanthomas:

NYC in the 1980s.Love.Memories.”After picking up a camera at the age of 15, Jamel Shabazz has been unknowingly become the first “visual documentarian” of hip hop. For over 30 years he’s captured the world around him. Every frame  of that world is a time portal that sparks emotion stemming from the scenes they represent. And if there is ever a glimpse into the foundations of street wear and its surrounding culture, it can be found in the pages of his first book.
“Back In The Days” is real deal documentation as it pertains to the origins of hip hop, not to mention hip hop fashion. No 2oK a day models. No makeup artists. No food trucks. The models in the book don’t need runways because they lived the life of style. Jamel Shabazz was there to capture it all.”Purchase here: http://www.jamelshabazz.com/monographs.html
leseanthomas:

NYC in the 1980s.Love.Memories.”After picking up a camera at the age of 15, Jamel Shabazz has been unknowingly become the first “visual documentarian” of hip hop. For over 30 years he’s captured the world around him. Every frame  of that world is a time portal that sparks emotion stemming from the scenes they represent. And if there is ever a glimpse into the foundations of street wear and its surrounding culture, it can be found in the pages of his first book.
“Back In The Days” is real deal documentation as it pertains to the origins of hip hop, not to mention hip hop fashion. No 2oK a day models. No makeup artists. No food trucks. The models in the book don’t need runways because they lived the life of style. Jamel Shabazz was there to capture it all.”Purchase here: http://www.jamelshabazz.com/monographs.html
leseanthomas:

NYC in the 1980s.Love.Memories.”After picking up a camera at the age of 15, Jamel Shabazz has been unknowingly become the first “visual documentarian” of hip hop. For over 30 years he’s captured the world around him. Every frame  of that world is a time portal that sparks emotion stemming from the scenes they represent. And if there is ever a glimpse into the foundations of street wear and its surrounding culture, it can be found in the pages of his first book.
“Back In The Days” is real deal documentation as it pertains to the origins of hip hop, not to mention hip hop fashion. No 2oK a day models. No makeup artists. No food trucks. The models in the book don’t need runways because they lived the life of style. Jamel Shabazz was there to capture it all.”Purchase here: http://www.jamelshabazz.com/monographs.html
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heartcoma:

stuntin’ like my daddy
heartcoma:

stuntin’ like my daddy
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leseanthomas:

shantellmartin:

Studio visit with UO. photos by Marisa Chavetz. Check out interview HERE.

Shantell Martin. My low-key artist crush. :-)

^
leseanthomas:

shantellmartin:

Studio visit with UO. photos by Marisa Chavetz. Check out interview HERE.

Shantell Martin. My low-key artist crush. :-)

^
leseanthomas:

shantellmartin:

Studio visit with UO. photos by Marisa Chavetz. Check out interview HERE.

Shantell Martin. My low-key artist crush. :-)

^
leseanthomas:

shantellmartin:

Studio visit with UO. photos by Marisa Chavetz. Check out interview HERE.

Shantell Martin. My low-key artist crush. :-)

^
leseanthomas:

shantellmartin:

Studio visit with UO. photos by Marisa Chavetz. Check out interview HERE.

Shantell Martin. My low-key artist crush. :-)

^
leseanthomas:

shantellmartin:

Studio visit with UO. photos by Marisa Chavetz. Check out interview HERE.

Shantell Martin. My low-key artist crush. :-)

^
leseanthomas:

shantellmartin:

Studio visit with UO. photos by Marisa Chavetz. Check out interview HERE.

Shantell Martin. My low-key artist crush. :-)

^
leseanthomas:

shantellmartin:

Studio visit with UO. photos by Marisa Chavetz. Check out interview HERE.

Shantell Martin. My low-key artist crush. :-)

^
leseanthomas:

shantellmartin:

Studio visit with UO. photos by Marisa Chavetz. Check out interview HERE.

Shantell Martin. My low-key artist crush. :-)

^
leseanthomas:

shantellmartin:

Studio visit with UO. photos by Marisa Chavetz. Check out interview HERE.

Shantell Martin. My low-key artist crush. :-)

^
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theartofanimation:

Kuldar Leement
theartofanimation:

Kuldar Leement
theartofanimation:

Kuldar Leement
theartofanimation:

Kuldar Leement
theartofanimation:

Kuldar Leement
theartofanimation:

Kuldar Leement
theartofanimation:

Kuldar Leement
theartofanimation:

Kuldar Leement
theartofanimation:

Kuldar Leement
theartofanimation:

Kuldar Leement
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spacejam2005:

nothing was the same
spacejam2005:

nothing was the same
spacejam2005:

nothing was the same
spacejam2005:

nothing was the same
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unrealbro:

it’s free real estate
unrealbro:

it’s free real estate
unrealbro:

it’s free real estate
unrealbro:

it’s free real estate
unrealbro:

it’s free real estate
unrealbro:

it’s free real estate